Christ of the Earthquakes
Cuzco School, Peru
18th Century
Height 44 1/2” Width 39 1/2" including period frame
Provenance: Constance McCormick Fearing, Santa Barbara CA. Ms. Fearing of the McCormick Harvester International family whose fortune was made in the farming equipment field. This painting hung in the entryway of her residence in Mexico in the 1950's and later on in Santa Barbara.
A large and important painting depicting "Christ of the Earthquakes" (Senor de los Temblores or Taytacha Temblores) - the statue of the crucified Christ presiding over a side chapel in the Cathedral de Cuzco. The theme refers to a miracle that took place in 1650 when an earthquake threatened the city of Cuzco. Miraculously, the tremors came to a halt when worshippers processed the statue through the streets. Known as a "statue painting" because it represents a "miracle-working" sculpture, this painting was created so that worshippers could pray to the statue from a distance. Moreover, paintings like this are thought to possess the power to create miracles as well. The composition depicts Christ of the Earthquakes on a wooden processional base. Burning candles and lavish floral arrangements in crystal vases to either side are special offerings to the statue. See a similar 18th century Christ of the Earthquakes painting at the Denver Art Museum (accession number 1969.346). According to Mayer Fellow for Spanish Colonial Art Sabena Kull's description, "This picture is a type of painting commonly referred to as a 'statue painting,' since it represents a specific miracle-working sculpture in a two-dimensional painted format. Statue paintings, such as this one, provided worshippers with the ability to offer devotion to important sculptures from afar. They were also understood as embodying the numinous powers of the original image and could even work miracles in their own right. In the late 1700s and 1800s, as the sculpture of Christ of the Earthquakes consolidated its powers in the Cuzco region, individuals commissioned paintings of the renowned image for display in their private homes and chapels." Kull goes on to note that the particular flowers depicted in flower arrangement offerings featured in Christ of the Earthquake statue paintings were "important in both Christian and Andean religious traditions". For example, in addition to lilies and roses, trumpet- shaped red blossoms were used to represent native Andean nucchu and cantuta flowers. (source: Denver Art Museum website)
Cuzco School, Peru
18th Century
Height 44 1/2” Width 39 1/2" including period frame
Provenance: Constance McCormick Fearing, Santa Barbara CA. Ms. Fearing of the McCormick Harvester International family whose fortune was made in the farming equipment field. This painting hung in the entryway of her residence in Mexico in the 1950's and later on in Santa Barbara.
A large and important painting depicting "Christ of the Earthquakes" (Senor de los Temblores or Taytacha Temblores) - the statue of the crucified Christ presiding over a side chapel in the Cathedral de Cuzco. The theme refers to a miracle that took place in 1650 when an earthquake threatened the city of Cuzco. Miraculously, the tremors came to a halt when worshippers processed the statue through the streets. Known as a "statue painting" because it represents a "miracle-working" sculpture, this painting was created so that worshippers could pray to the statue from a distance. Moreover, paintings like this are thought to possess the power to create miracles as well. The composition depicts Christ of the Earthquakes on a wooden processional base. Burning candles and lavish floral arrangements in crystal vases to either side are special offerings to the statue. See a similar 18th century Christ of the Earthquakes painting at the Denver Art Museum (accession number 1969.346). According to Mayer Fellow for Spanish Colonial Art Sabena Kull's description, "This picture is a type of painting commonly referred to as a 'statue painting,' since it represents a specific miracle-working sculpture in a two-dimensional painted format. Statue paintings, such as this one, provided worshippers with the ability to offer devotion to important sculptures from afar. They were also understood as embodying the numinous powers of the original image and could even work miracles in their own right. In the late 1700s and 1800s, as the sculpture of Christ of the Earthquakes consolidated its powers in the Cuzco region, individuals commissioned paintings of the renowned image for display in their private homes and chapels." Kull goes on to note that the particular flowers depicted in flower arrangement offerings featured in Christ of the Earthquake statue paintings were "important in both Christian and Andean religious traditions". For example, in addition to lilies and roses, trumpet- shaped red blossoms were used to represent native Andean nucchu and cantuta flowers. (source: Denver Art Museum website)
Cuzco School, Peru
18th Century
Height 44 1/2” Width 39 1/2" including period frame
Provenance: Constance McCormick Fearing, Santa Barbara CA. Ms. Fearing of the McCormick Harvester International family whose fortune was made in the farming equipment field. This painting hung in the entryway of her residence in Mexico in the 1950's and later on in Santa Barbara.
A large and important painting depicting "Christ of the Earthquakes" (Senor de los Temblores or Taytacha Temblores) - the statue of the crucified Christ presiding over a side chapel in the Cathedral de Cuzco. The theme refers to a miracle that took place in 1650 when an earthquake threatened the city of Cuzco. Miraculously, the tremors came to a halt when worshippers processed the statue through the streets. Known as a "statue painting" because it represents a "miracle-working" sculpture, this painting was created so that worshippers could pray to the statue from a distance. Moreover, paintings like this are thought to possess the power to create miracles as well. The composition depicts Christ of the Earthquakes on a wooden processional base. Burning candles and lavish floral arrangements in crystal vases to either side are special offerings to the statue. See a similar 18th century Christ of the Earthquakes painting at the Denver Art Museum (accession number 1969.346). According to Mayer Fellow for Spanish Colonial Art Sabena Kull's description, "This picture is a type of painting commonly referred to as a 'statue painting,' since it represents a specific miracle-working sculpture in a two-dimensional painted format. Statue paintings, such as this one, provided worshippers with the ability to offer devotion to important sculptures from afar. They were also understood as embodying the numinous powers of the original image and could even work miracles in their own right. In the late 1700s and 1800s, as the sculpture of Christ of the Earthquakes consolidated its powers in the Cuzco region, individuals commissioned paintings of the renowned image for display in their private homes and chapels." Kull goes on to note that the particular flowers depicted in flower arrangement offerings featured in Christ of the Earthquake statue paintings were "important in both Christian and Andean religious traditions". For example, in addition to lilies and roses, trumpet- shaped red blossoms were used to represent native Andean nucchu and cantuta flowers. (source: Denver Art Museum website)